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With it, you could pull out the distinctive shimmer of high-hat cymbals otherwise drowned by a dominant vocal track, or even help mellow out the narrator’s voice in an audiobook. With these variables in play, an EQ serves an invaluable role for anyone serious about their jams. Not only do the natural sounds of the track respond uniquely to different EQ levels, but in the case of digital music, you may also need to cover imperfection introduced by certain file compression formats that can affect the overall audio quality. The music you’re listening to also plays a factor. Many of us listen to music while commuting or exercising, where the shape of the room or ambient noise can each have a nasty effect on how our music sounds. Also, we don’t always get to listen to music in ideal environments. Browse related topicsĮlectronics manufacturers have their own ideas about what a piece of gear should sound like, but EQ lets you have your say. But it can be intimidating, so we’re here to help with our top-to-bottom guide to mastering your equalizer for the perfect sound. Understanding how exactly an EQ works and using it properly will put the power of sound-sculpting at your fingertips and can get you closer to the sound you want from your gear. The equalizer, or EQ, has come a long way since your dad’s graphic EQ with the tiny little sliders that you never quite understood - but somehow messing with them made his Zeppelin records sound “rad.” But for most devices you’ll encounter these days, it’s all done digitally.ĮQ settings can now be found in everything from phones and wireless speakers to home theater soundbars and streaming services such as Spotify and Apple Music, but often in the form of safe presets such as “Rock,” Hip-Hop,” or “Bass Booster.” And compare this viewpoint with that you shouldn't be EQ-ing your individual media players on your computer to begin with, then you have that Spotify really shouldn't have such a feature - all things considered. A graphical EQ is really an advanced feature, I think. The reason why I think this is a bad idea, is because it doesn't quite match Spotify's obvious goal of being a very simple music player feature-wise. You don't want Spotify to stick out with another EQ curve, you want your entire system EQ-ed. The material playing in Spotify is completely flat, just as it is from all the other sources above. With a graphical EQ, you're also really compensating for your room, listening position and speakers or headphones, not the material playing. The reason I would rather EQ the entire system, is that then you'd have the same results playing music from Spotify as from Apple Music, Google music, foobar2000, YouTube, SoundCloud, BandCamp etc etc etc. You can even completely edit the number of bands and the width, gain travel of all those. Then you have a system-wide graphic equalizer. In my opinion, this is a bad idea. As a sound engineer, I would rather EQ my entire system than just Spotify.Īnd you can! There's a program called Equalizer APO which you combine with a GUI plug-in for that program called Peace.